Hello readers old and new! I am going to make a pledge to any of you who enjoy this site or are interested in my musical exploits that I will make much more regular updates. I have so many articles on the back burner waiting for a spot of time to finish that there soon should be a steady flow of new posts and that is a promise!
I am looking more towards the internet and my site as a focus for my activities as in recent times I have crawled out from under the stone of anonymity and through mostly Sonicstate.com I have started to enjoy a more public persona. In the past, I was so preoccupied with my perception that as an artist I should remain somewhat aloof and mysterious but now I realise that just leaves you with a whole heap of nothingness!
So what can we expect in the future? Well I have started writing up little featurettes on some of the notable people I have worked with some of whom are well known and some may be new to you. I have been incredibly lucky in my career so far to have worked with some truly inspirational musicians and artists that I feel I should share some of those experiences. The fairly recent features about Karl Hyde and David Rhodes should give an indication of the type of thing I have planned.
Other features will be around my continuing exploration of music technology and it’s applications. I am first and foremost a live musician who thrives on playing and collaborating with others so it may seem strange that I am so enthusiastic about this subject as it appears to thrive on electronic music and solitary working (both of which I also enjoy). I am, however, constantly interested in developments which encourage collaborations (both physical and virtual) and of bridging the gap between acoustic and electronic. These are the themes I plan to explore in future posts.
More music tech goodness to chew on folks! I decided to make a short film showing the integration of a bunch of new things, Logic Pro X, the iPad Air plus the Native Instruments Maschine Studio running the V2.0 software. They play really well together!
Logic Pro X
I have made no attempt to hide my distaste of the music software Logic in the past, perhaps because I am a long time Cubase user it is ingrained in me but also I just think that for years it has really lagged behind other DAW’s too. Well, I have changed my mind, slightly! I had to buy Logic due to a collaboration with an artist I am working with. It just made sense to do this rathe than both of us lose time with trying to convert the projects back and forth between our systems. Besides this artist, there is another that I will be working with soon who is also on Logic X too. I had previously bought (against my wishes!) Logic 9 which I hated with a passion so I wasn’t too thrilled at the prospect of spending more time in Logic land. We’ll I need not of worried too much as Logic X is a huge improvement over its predecessor. The much needed facelift has finally banished those tiny menus and the relocation of things like the transport bar to the top has made the workflow more intuitive. Track stacks bring a Reaper like function when you group a bunch of tracks into a folder, that folder gains a dedicated fader – are you listening Cubase? There is now a bass amp emulation called Bass Amp Designer and low and behold when I first instantiated (correct term!) the plug in I was faced with a graphical reproduction of my classic old bass amp a Mesa boogie 400+ and my old cab too, the quirky 1516. I have never seen these emulated before and I was really impressed with how it sounded. There is the much talked about Drummer plug in which lets you choose drummer by personality (?) and also you now have a basic Melodyne like functionality called Flex pitch which I have yet to try amongst countless other improvements.
My old bass amp amp now in Logic Pro X – Mesa Boogie 400+
Logic Remote showing mixer
The show stopper for me though is the clever Logic Remote app for iPad. Borrowing heavily from the iPad version of GarageBand, this controller allows you to mix, edit and perform using a very intuitive control surface. Interestingly they have taken the Smart instruments idea and made them in to controllers for the Logic instruments. I marvelled at the design of these a few years back when they debuted on the iPad GarageBand so they are welcome here. These essentially let you turn the iPad into various types of midi controller, a guitar simulator, drum pads and chord strips on top of a regular piano keyboard that can also have notes stripped away to display only in key notes. Cleverly these follow whatever the region’s key is which is set in the main info panel at the top of Logic X. I have been banging on for nearly a year now about the wonderful chord track in Cubase, well Logic gets a halfway house now with the arrangement track combined with being able to set keys for regions. In practice I have found the Logic Remote to be the most robust and reliable of all the different iPad based control surfaces I have tried. Probably to do with some secret voodoo that Apple have going on that is closed to all and sundry however it works very well and maintains connection quickly after bringing the iPad out of sleep. This was the killer in the past for other controllers as it would often mean that you would have to jump through a few hoops to get things synchronised again. One feature I particularly like (which the Cubase Equivalent, IC also has) is the ability to create shortcuts and macros and give them dedicated buttons.
Logic Remote showing shortcuts page
Maschine Studio Intergration
You may have read my Maschine Studio and software review or saw my Sonic State review. If not you can find them here so I won’t go over old ground as to what it is needless to say though that you can run Maschine software as an Audio Unit (AU) within Logic X. The cool thing with doing this is that the Smart Instrument controllers operate on the Maschine too via Logic’s own routing. I didn’t have to set anything up, they just worked. This is very cool as it allows for Ableton Live Push like functionality which was left out of Maschine v2.0. This means you can use the aforementioned preset scales on the sounds within Maschine. I try and demonstrate this in my video so I recommend watching that to see it in practice although the tune I make is quite meh!
Had a blast on the show today which is now in full HD! Yippee, long time listeners/viewers will know what a big deal this is especially for some reason my bandwidth, I have been referred to as the 8 Bit Kid! But not today, no! Nick, editor of Sonic State has been working really hard to try and improve the quality of the show and it’s really coming on well now.
For those of you that don’t know of Sonic Talk or Sonic State, it is one of the most important music technology websites out there. In fact as a website it has been around since 1995 which in web terms is ancient! I believe they had a news group from 1993 or even earlier, needless to say they know a thing or two about the world of music technology. Nick and Andy in my opinion, make the best reviews of new music equipment out there and often have world exclusives. They also cover the major trade shows like NAMM or Music Messe and again usually are amongst the very first with the big news stories. Having worked with them I appreciate the huge amount of work they put in and quite often it’s a thankless task.
I had listened to the podcast regularly before I made my first appearance on the show back in June 2010. I was so chuffed to be asked to participate and have enjoyed being involved very much. In fact here is a link to that first appearance.